Bibliografía y PDFs
Identificación de procesos fotográficos
Orígenes de la fotografía
Dibujos fotogénicos e impresiones en papel salado
Impresiones en papel de albúmina
Ambrotipos
Ferrotipos
Impresiones al carbón
Negativos de gelatina sobre vidrio
Impresiones en papel de colodión
Platinotipos y paladiotipos
Impresiones en papel de gelatina de impresión directa
Película en rollo flexible con respaldo de papel
Gomas bicromatadas
Impresiones en papel de gelatina de revelado
Negativos sobre nitrato de celulosa
Inicios de fotografía a color
Negativos sobre acetato de celulosa
Negativos sobre poliéster
Procesos por imbibición de tintes
Procesos cromogénicos
Negativos a color
Procesos por destrucción de tintes
Procesos por difusión y transferencia de tintes
Química de los materiales fotográficos
Historia de la tecnología de los procesos fotográficos
Diagnóstico de archivos y colecciones
Exposición y transporte
Tratamientos de restauración
Microorganismos: identificación y atención
Prevención y recuperación ante desastres
Gestión y manejo de colecciones
Identificación de procesos fotográficos
Albright, Gary y Monique Fischer. “Types of Photographs, part 1: 19th and Early 20th Century.” NEDCC Preservation Leaflets. Consultado el 17 de mayo de 2025. https://www.nedcc.org/assets/media/documents/Preservation%20Leaflets/5_2_1_PhotoTypes_2018.pdf
Bennett, Karen L. y Jessica S. Johnson. “Identification of Film‐Base Photographic Media.” NPS Conserve O Gram 14/9, September 1999. Consultado el 19 de diciembre de 2025. https://www.nps.gov/subjects/museums/upload/14-09_508.pdf
Casella, Luisa. “Guía De Identificación De Procesos Fotográficos Analógicos De Color De Imagen Positiva”, 2024.
Cattaneo, Ambra, Beatrice Sarti, Alice Plutino, y Alessandro Rizzi. “On the Identification of Colour Photographic Processes”. Heritage 5 (2022): 4074–4088.
Fischer, Monique. “A Short Guide to Film Base Photographic Materials: Identification, Care, and Duplication.” NEDCC Preservation Leaflets. Consultado el 7 de junio de 2025. https://www.nedcc.org/assets/media/documents/Preservation%20Leaflets/5_1_FilmBaseGuide_2020.pdf
———. “Types of Photographs, part 3: Digital Output Media.” NEDCC Preservation Leaflets. Consultado el 7 de junio de 2025. https://www.nedcc.org/assets/media/documents/Preservation%20Leaflets/5_2_3_photos_Digital_2019.pdf
Fischer, Monique, y Andrew Robb. “Guidelines for Care and Identification of Film-Base Photographic Materials.” Topics in Photographic Preservation 5 (1993): 117-122.
“Graphics Atlas Visual Identification Guide: Image color.” Image Permanence Institute. Consultado el 19 de diciembre de 2025. http://www.graphicsatlas.org/media/pdfs/image_color.pdf
“Graphics Atlas Visual Identification Guide: Image deterioration.” Image Permanence Institute. Consultado el 19 de diciembre de 2025. http://www.graphicsatlas.org/media/pdfs/image_deterioration.pdf
“Graphics Atlas Visual Identification Guide: Image structure.” Image Permanence Institute. Consultado el 19 de diciembre de 2025. http://www.graphicsatlas.org/media/pdfs/image_structure.pdf
“Graphics Atlas Visual Identification Guide: Layer structure.” Image Permanence Institute. Consultado el 19 de diciembre de 2025. http://www.graphicsatlas.org/media/pdfs/layer_structure.pdf
“Graphics Atlas Visual Identification Guide: Surface sheen.” Image Permanence Institute. Consultado el 19 de diciembre de 2025. http://www.graphicsatlas.org/media/pdfs/surface_sheen.pdf
Jürgens, Martin C. The digital print: identification and preservation. Getty Conservation Institute, 2009.
Lavédrine, Bertrand, Jean-Paul Gandolfo, John McElhone, y Sibylle Monod. Photographs of the Past: Process and Preservation. Traducido por John McElhone. Getty Conservation Institute, 2009.
Maloney, Amanda y Monique Fischer. “Types of Photographs, part 2: Color.” NEDCC Preservation Leaflets. Consultado el 7 de junio de 2025. https://www.nedcc.org/assets/media/documents/Preservation%20Leaflets/5_2_2_PhotosColor_2020.pdf
Nastri, Carolina. “Copias fotográficas monocromas en soporte papel: Protocolo para el relevamiento de un conjunto documental.” Tesis de Licenciatura, Universidad del Museo Social Argentino, 2018.
Pénichon, Sylvie. Twentieth-Century Color Photographs: Identification and Care. Getty Conservation Institute, 2013.
Reilly, James. Care and Identification of 19th-Century Photographic Prints. Eastman Kodak Company, 1986.
Rempel, Siegfried. The Care of Black and White Photographic Collections: Identification of Processes. Technical Bulletin no. 6, 2.ª ed. Canadian Conservation Institute, 1980.
Stulik, Dusan y Art Kaplan. “The Atlas of Analytical Signatures of Photographic Processes: Its Past, Present, and the Future.” Topics in Photographic Preservation 15 (2013): 249-263.
———. The Atlas of Analytical Signatures of Photographic Processes. Albumen. The Getty Conservation Institute, 2013.
———. The Atlas of Analytical Signatures of Photographic Processes. Carbon. The Getty Conservation Institute, 2013.
———. The Atlas of Analytical Signatures of Photographic Processes. Collodion. The Getty Conservation Institute, 2013.
———. The Atlas of Analytical Signatures of Photographic Processes. Collotype. The Getty Conservation Institute, 2013.
———. The Atlas of Analytical Signatures of Photographic Processes. Cyanotype. The Getty Conservation Institute, 2013.
———. The Atlas of Analytical Signatures of Photographic Processes. Halftone. The Getty Conservation Institute, 2013.
———. The Atlas of Analytical Signatures of Photographic Processes. Photogravure. The Getty Conservation Institute, 2013.
———. The Atlas of Analytical Signatures of Photographic Processes. Platinotype. The Getty Conservation Institute, 2013.
———. The Atlas of Analytical Signatures of Photographic Processes. Salt print. The Getty Conservation Institute, 2013.
———. The Atlas of Analytical Signatures of Photographic Processes. Silver gelatin. The Getty Conservation Institute, 2013.
———. The Atlas of Analytical Signatures of Photographic Processes. Woodburytype. The Getty Conservation Institute, 2013.
Valverde Valdés, María Fernanda. Los procesos fotográficos históricos. Archivo General de la Nación, 2003.
———. “Photographic Negatives: Nature and Evolution of Processes.” Capstone Project of Andrew W. Mellon Fellowship Advanced Residency Program in Photograph Conservation. George Eastman House, 2003.
Weaver, Gawain. “Carta de identificación de procesos: Impresiones fotográficas del siglo XIX, 2016.” Consultado el 9 de mayo de 2025. https://gawainweaver.com/images/uploads/file/Process%20ID%20Chart_19th%20Century%20Photo_ES.pdf
———. “Process ID Chart: Color Photographic Prints, 2020” Consultado el 9 de mayo de 2025. https://gawainweaver.com/images/uploads/ProcessID_Color_Jan2020.pdf
———. “Process ID Chart: Digital Prints, 2024.” Consultado el 9 de mayo de 2025. https://gawainweaver.com/images/uploads/ProcessID_Digital_2024v1.pdf
———. “Process ID Chart: Photomechanical Prints, 2014.” Consultado el 9 de mayo de 2025. https://gawainweaver.com/images/uploads/Process_ID_Chart_Photomechanical.pdf
———. “Process ID Chart: 19th Century Photographic Prints, 2016” Consultado el 9 de mayo de 2025. https://gawainweaver.com/images/uploads/file/Process%20ID%20Chart_19th%20Century%20Photo.pdf
Orígenes de la fotografía
Márquez, Miguel B. "Sobre los orígenes de la fotografía". Actas de Cultura y Ensayos Fotográficos “f/8”, nº 1. Sevilla, 1980.
Heliografías
Díaz, Diana, y Heather Brown. “The Niépce Heliograph, at the Harry Ransom Center.” Topics in Photographic Preservation, Volume 19 (2021): 34-36.
Dibujos fotogénicos e impresiones en papel salado
Banta, Melissa, y Elena Bulat. “Salted Paper Prints and the Harvard Class Albums.” Journal of Contemporary Archival Studies 2 (2015): Article 4.
Negativos sobre papel
Blanquart-Évrard, Louis-Désiré. “Photographie sur papier; moyen d’obtenir l’image à la chambre noire sur papier sec (Préparation du papier positif à l’albumine).” Comptes rendus hebdomadaires des séances de l'Académie des Sciences 30 no. 21 (1850): 663-665.
———. “Procédés employés pour obtenir les Épreuves de Photographie sur Papier.” Comptes rendus hebdomadaires des séances de l'Académie des Sciences 24, no. 4 (1847): 117-123.
———. Traité de photographie sur papier. Roret, 1851.
Brettel, Richard, Roy Flukinger, Nancy Keeler y Sydney Mallett Kilgore. Paper and Light, the Calotype in France and Great Britain 1839 – 1870. David R. Godin, 1984.
Burbank W. H. The Photographic Negative. Scovill Manufacturing Company, 1888.
Crookes, W. “On the wax and waxing paper.” Journal of the Photographic Society, September 21 (1855): 231-232.
Cundell, G. S. “On the practice of the Calotype Process of Photography.” The London, Edinburgh and Dublin Philosophical Magazine and Journal of Science 3rd series 24, no. 160, (1844): 321-332.
Daffner, Lee Ann. “‘A transparent atmosphere”: The Paper Negatives of Frédéric Flachéron in the Harrison D. Horblit Collection.” Journal of the American Institute for Conservation 42 (2003): 425-439.
De Valicourt. Nouveau Manuel Complet de Photographie sur Métal, sur Papier et sur Verre. La Librairie Encyclopédique De Roret, 1862.
Eder, Josef Maria. History of Photography. Columbia University Press, 1945.
Eremin, Katherine, James Tate y James Berry. “On the Chemistry of John and Robert Adamson’s Salted Paper Prints and Calotype Negatives.” History of Photography 27, no. 1 (2003).
Fenton, Roger. “Photography on waxed paper.” En A guide to Photography. 5.ª ed. Horne, Thornthwaite and Wood, 1852.
Fitt, George Robert. “On waxed paper.” The Liverpool Photographic Journal 3. vol. no. 25 (1856): 1-11.
Freeman, Sarah. “The Art and Science of the Paper Negative.” En Real Ideal, Photography in Mid-Nineteenth-Century France, editado por Karen Hellman, 53-54. The J. Paul Getty Museum, 2016.
Furlonge, W. Holland. "On the Calotype Process." Photographic Notes 1, no. 1 (1 January 1856): 10-13.
Gaudin, Antoine. “Substitution du bromure au chlorure d'iode dans les opérations photographiques,” Comptes Rendus Hebdomadaires des Séances de L’Académie des Sciences 13, no. 16 (1841): 832.
Gernsheim, Helmut y Alisson Gernsheim. The History of Photography. McGraw-Hill Book Company, 1969.
Gernsheim, Helmut. A Concise History of Photography. 3rd ed. Dover Publications, 1986.
Jammes, Andre y Eugenia Parry Janis. The Art of the French Calotype with a Critical Dictionary of Photographers, 1845 – 1870. Princeton University Press, 1983.
Jennings, Katherine. “Research into the Conservation of Nineteenth Century Paper Negatives.” Capstone Project of Andrew W. Mellon Fellowship Advanced Residency Program in Photograph Conservation. George Eastman House, 2003.
Kraus, Hans P. Sun Pictures, Catalogue Six: Dr. Thomas Keith and John Forbes White. Hans P. Kraus Jr. Fine Photography, 1993.
Le Gray, Gustave. Nouveau traité théorique et pratique de photographie sur papier et sur verre. Lerebours et Secretan, 1851.
———. “On a new mode of preparing negative photographic paper.” Comptes Rendus 23, (1851).
———. Photographic Manipulation: The Waxed Paper Process. 3.ª ed. George Knight and Sons, 1855.
———. Practical Treatise on Photography, upon Paper and Glass. Traducido por Thomas Cousins. T & R Willats, 1850.
———. Traite Pratique de Photographie sur Papier et sur Verre. Germer Baillière, 1850.
Morris, Richard. “Calotype Negatives.” En Coming into Focus. A step- by-step Guide to Alternative Photographic Printing Processes. Chronicle Books, 2000.
Osman, H. C. “Calotype papers and Richard Turner of Chafford Mills.” The Quarterly. The Journal of the British Association of Paper Historians 22, (1997): 1-6.
Reinhold, Nancy. “The exhibition of an Early Photographic Drawing by William Henry Fox Talbot.” Topics in Photographic Preservation 5, (1993): 89-94.
Schaaf, Larry J. Out of the Shadows, Herschel, Talbot and the Invention of Photography. Yale University Press, 1992.
———. “‘Splendid Calotypes’ Henry Talbot, Amelia Guppy, Sir Thomas Phillipps, and Photographs on Paper.” En Six Exposures. Essays in Celebration of the Opening of the Harrison D. Horblit Collection of Early Photography. Harvard University, 1999.
———. Sun Pictures, Catalogue Seven, Photogenic Drawings by William Henry Fox Talbot. Hans P. Kraus Jr. Fine Photography, 1995.
———. Sun Pictures, Catalogue Ten, British Paper Negatives 1839 – 1864. Hans P. Kraus Jr. Fine Photography, 2001.
———. The Photographic Art of William Henry Fox Talbot. Princeton University Press, 2000.
Sisson, Joseph Lawson. The Turpentine Waxed Paper Process. A. Marion & Co., 1858.
———. “The Turpentine Waxed Paper Process.” The Photographic News 2, no. 50 (August 19, 1859).
Snelling, Henry Hunt. The History And Practice of the Art of Photography. Morgan & Morgan, inc. Publishers, 1849. https://www.gutenberg.org/cache/epub/168/pg168-images.html
Sutton, Thomas. The Calotype Process. A handbook to photography on paper. Joseph Cundall, 1855.
———. “Photographic Processes. The wax-paper process.” Photographic Notes 1, no. 14, 1 (1856): 217-222.
Talbot, William Henry Fox. “An Account of Some Recent Improvements In Photography.” Proceedings of the Royal Society 4, no. 48 (1841): 312 – 316.
———. “Calotype (Photogenic) Drawing. February 19, 1841.” Journal of the Belles Lettres no. 1258, February 27, 1841.
———. “Some account of the Art of Photogenic Drawing, or the process by which natural objects may be made to delineate themselves without the aid of the artist’s pencil.” Leído ante the Royal Society January 31 1839, London, 1839.
———. “The Process of the Talbotype (formerly called the calotype) Photogenic Drawing.” Communicated to the Royal Society, June 10, 1841, London: J. L. Cox & Sons, 1841.
Taylor, Roger y Mike Ware. “‘Pilgrims of the sun’, The Chemical Evolution of the Calotype 1840-1852.” History of Photography 27, no. 4 (Winter 2003): 308-319.
“The Talbotype-Sun-pictures.” The Art-Union 8, London (June 1, 1846): 143-144.
Thornthwaite, W. H. A guide to Photography. 5th edition. Horne, Thornnthwaite and Wood, 1852.
Towler, J. “Negatives on paper.” The Silver Sunbeam: A Practical and Theoretical Text-book on Sun Drawing and Photographic Printing. Joseph H. Ladd, 1864.
F. Townshend, “Photographic Apparatus. “On the quality of paper required for Photographic purposes, more particularly for the wax-paper process.” Journal of the Photographic Society 1, no. 30, 21 May 1855, pp. 166-167.
Trutat, Eugène. Traité Practique de Photographie sur Papier Négatif. Gauthier-Villars, 1892.
Negativos al colodión húmedo
Belloc, Auguste. Photographie Rationnelle. Chez Dentu Éditeur, 1862.
Monckhoven, Désiré van. Traité de Photographie Sur Collodion. Gaudin et Frère, 1855.
———. Traité Populaire De Photographie Sur Collodion. Leiber Éditeur, 1862.
Impresiones en papel de albúmina
Blanquart-Évrard, Louis-Désiré. Intervention de L'art dans la Photographie. Leiber, 1864.
Burke, John, Walter Henry, Paul Messier, y Timothy Vitale. Album photographs: history, science and preservation. 2000. https://cool.culturalheritage.org/albumen/
Monckhoven, Désiré van. A Popular Treatise on Photography. Traducido por W. H. Thornthwaite. Virtue Brothers, 1863.
Price, Lake. A Manual Of Photographic Manipulation. John Churchill Publisher, 1858.
Reilly, James M. The Albumen & Salted Paper Book: The History and Practice of Photographic Printing 1840 - 1895. Extended Photo Media Series 2. Light Impressions Corp, 1980.
Robinson, Henry Peach y Capt. Abney. The Art and Practice of Silver Printing. E. and H. T. Anthony, 1881.
Fotografías iluminadas (Crayon enlargement prints)
Albright, Gary E., y Michael K. Lee. “A Short Review of Crayon Enlargements: History, Technique, and Treatment.” Topics in Photographic Preservation 3 (1989): 28–36.
Artetxe Sánchez, Enara, Marta Barandiaran Landin, Itxaso Maguregui Olabarria, Beatriz San Salvador Ageo, Carlos Venegas García, y Fernando Bazeta Gobantes. “Más allá del blanco y negro. Estudio histórico de fotografías coloreadas y su conservación.” Ge-Conservacion, 1 (2010): 193-207.
Ayres, George B. How to paint photographs. 6ta edición. Daniel Appleton & Company, 1883.
Barhydt, Jerome. A. Crayon Portraiture: Complete Instructions for Making Crayon Portraits on Crayon Paper and on Platinum, Silver, and Bromide Enlargements. Revised and Enlarged Edition. Baker & Taylor Co., 1892.
Bartz, Marissa, Luisa Casella y Abbott Nixon. “Investigation of Portrait with Applied Oil Color.” Topics in Photographic Preservation 18 (2019): 24-38.
Bringas Botello, Jennifer Libertad, y Castañeda Hernández, María Magdalena. “Análisis del Klucel® G en el laminado de papel albanene y vegetal.” Publicaciones Digitales ENCRyM, 2014. https://revistas.inah.gob.mx/index.php/digitales/article/view/4658
Caldararo, Niccolo. Crayon Enlargements and Colored Photographs. Preprints, 2022.
Duncan, Lisa, Saori Kawasumi Lewis, Jessica Keister, y Thomas M. Edmondson. “What Is It: Empirical Research into the Art of Bleaching Crayon Enlargements.” Topics in Photographic Preservation 17 (2017): 122–131.
Helion, Courtney. "The Rainbow Connection: Treatment and Analysis of Hand-Colored Photographs." Art Conservation Master's Projects 43. 2019 https://digitalcommons.buffalostate.edu/art_con_projects/43
Hendricks, Klaus B., y Sebastian Dobrusskin. “The Conservation of Painted Photographs.” Preprints, 9th Triennial Meeting ICOM, Committee of Conservation, 1990, 249–251.
MacKay, Anne. “Enhanced: Nineteenth Century Hand-Colored Photographic Portraits.” Topics in Photographic Preservation 17 (2017): 74-88.
Wagner, Sarah, Monique Fisher y Clara von Waldthausen. “The Hand‑Coloring and Retouching of Photographic Prints: An Annotated Bibliography.” Topics in Photographic Preservation 9 (2001): 118–126.
Ware, Mike. Mechanisms of Photographic Enlargement in 19th-Century Studios. Science Museum, 1999.
Wetzel, Rachel K. “Confronting the Challenges of Treating Crayon Enlargements.” Topics in Photographic Preservation 16 (2015): 168–175.
Whitman, Katharine. “The Technology of Solar Enlargements.” Topics in Photographic Preservation 11, (2005): 104-110.
Pantallas de color aditivo
Lavedrine, Bertrand y Jean-Paul Gandolfo. “Historical and Technical Investigation of the Autochrome Process and Attempts at Re-creation.” Topics in Photographic Preservation 5 (1993): 138-145.
Fotografías a color
Hutcheson, Rachel Lee. "Coming Attraction: The Event of Color, Techniques of Screening and Filtering in Early “Natural” Color Film and Photography." Grey Room 96 (2024): 6-29.
Wilhelm, Henry y Carol Brower. The Permanence and Care of Color Photographs: Traditional and Digital Color Prints, Color Negatives, Slides, and Motion Pictures. Preservation Publ. Co, 1993.
Química de los materiales fotográficos
Ramírez García, Héctor. “Química de los Procesos Fotográficos Alternativos.” Tesis de Licenciatura, Universidad Nacional Autónoma de México, 2006.
Historia de la tecnología de los procesos fotográficos
Eder, Josef Maria. History of Photography. Reimpresión no abreviada y sin alteraciones de la edición publicada en Nueva York en 1945. Traducido por Edward Epstean. Dover, 1978.
Mees, C. E. K. The Fundamentals of Photography. 3.ª ed. Eastman Kodak Co., 1927.
Procesos y efectos de deterioro
Weaver, Gawain. “A Guide to Fiber-Base Gelatin Silver Print Condition and Deterioration.” Capstone Project of Andrew W. Mellon Fellowship Advanced Residency Program in Photograph Conservation. George Eastman House, 2007.
Glosarios de conservación
American Institute for Conservation. “Lexicon.” AIC Wiki. Consultado el 13 de febrero de 2026. https://www.conservation-wiki.com/wiki/Lexicon
American Institute for Conservation. "BPG Glossary of Terms." AIC Wiki. Consultado el 13 de febrero de 2026. https://www.conservation-wiki.com/wiki/BPG_Glossary_of_Terms.
Bojanoski, Silvana y Márcia Almada. Glossário ilustrado de conservação e restauração de obras em papel: danos e tratamentos. Português, Espanhol, Inglês, Grego. Fino Traço Editora, 2021.
Grup de treball sobre fotografia a museus i arxius. “Mirall de plata: Lèxic visual de deterioraments en fotografia.” https://miralldeplata.com/
Passafiume, Tania, editora. Lingua franca: A Common language for conservators of photographic materials. Library and Archives Canada, 2018. Consultado el 13 de febrero de 2026. https://www.canada.ca/en/library-archives/collection/engage-learn/publications/lingua-franca.html
Van Camp, Kristel. “Damage Atlas for Photographic materials.”CeROArt, EGG 1, 2010. Consultado el 18 de febrero de 2026. https://doi.org/10.4000/ceroart.1770
Teoría de la conservación
Avrami, Erica, Randall Mason, y Marta de la Torre. Values and Heritage Conservation: Research Report. Getty Conservation Institute, 2000.
Muñoz Viñas, Salvador. Contemporary theory of conservation. Elsevier Butterworth-Heinemann, 2005.
Csillag Pimstein, Ilonka. Conservación de Fotografía Patrimonial. 5.ª ed. rev. y ampliada. Dirección de Bibliotecas, Archivos y Museos, Centro Nacional de Conservación y Restauración, 2000.
Clark, Susie y Franziska Frey. Care of photographs. European Commission on Preservation and Access, 2003
Fuente de Cía, Ángel. La conservación de archivos fotográficos. Documento de Trabajo nº 3, SEDIC, 2012.
Hendriks, Klaus B. Fundamentals of Photograph Conservation: A Study Guide. Lugus, 1991.
Herrera Garrido, Rosina. Conservación y restauración de fotografía. Editorial Síntesis, 2022.
Laguna Monroy, Ishtar y Elia Alejandra Mendoza Olmos. “Conservación y Documentación de Archivos Fotográficos de Autor”. Tesis de Licenciatura, Escuela Nacional de Conservación, Restauración y Museografía “Manuel Del Castillo Negrete”, 2006.
Roosa, Mark. Care, Handling and Storage of Photographs. International Preservation Issues, N° 5, International Federation of Library Associations and Institutions - Core Activity on Preservation and Conservation, 2004.
Conservación de fotografías
Documentación y análisis
Hardman-Peavy, Colette, Marcie B. Wiggins, Richard Hark, Aniko Bezur, Paul Messier, Lucia Noor Melita, Valentina Risdonne, y Lucia Burgio. “‘Indigenous Spots’: Microscopic Imaging and Spectroscopic Analysis of Galvanic Halos Associated with Metal Inclusions in the Paper of Mid-19th Century Salted Paper Prints by William Henry Fox Talbot.” Preprint, Research Square, 2023. https://doi.org/10.21203/rs.3.rs-3081471/v1.
McClelland, Arthur, Elena Bulat, Brenda Bernier, y Erin L. Murphy. “Specular Reflection FTIR: A Non-Contact Method for Analyzing Coatings on Photographs and Other Cultural Materials.” Journal of American Institute of Conservation 59, no 2 (2019): 123-136.
Preservación y almacenamiento
Adelstein, Peter Z. IPI Media Storage Quick Reference. 2.ª edición. Image Permanence Institute, 2009. https://www.rit.edu/ipi/sites/rit.edu.ipi/files/documents/msqr.pdf
Bigelow, Sue. Cold Storage of Photographs at the City of Vancouver Archives. Canadian Council of Archives, 2004. https://archivescanada.ca/wp-content/uploads/2022/08/Storage_English.pdf
“El cuidado, manipulación y almacenamiento de fotografías”, Library of Congress, Preservation. Consultado el 28 de enero de 2026. https://www.loc.gov/preservation/espanol/foto.html
Norris, Debra Hess, y Jennifer Jae Gutierrez. “Preventing Destruction: Preserving Our Irreplaceable Photographic Heritage.” American Art 31, no. 1 (2017): 18–23.
Lavédrine, Bertrand, Jean-Paul Gandolfo, y Sibylle Monod. A Guide to the Preventive Conservation of Photograph Collections. Traducido por Sharon Grevet. Getty Conservation Institute, 2003.
Reilly, James M. IPI Storage Guide for Acetate Film. Image Permanence Institute, 1993. https://www.rit.edu/ipi/sites/rit.edu.ipi/files/documents/acetate_guide.pdf
———. Storage Guide Color Photographic Materials. Image Permanence Institute, 1998. https://www.rit.edu/ipi/sites/rit.edu.ipi/files/documents/color_storage_guide.pdf
Salgado Aguayo, Dolores Cecilia. “Bóvedas De Almacenamiento, Una Estrategia Para La Conservación De Fotografías”. Tesis de Licenciatura, Escuela Nacional de Conservación, Restauración y Museografía “Manuel Del Castillo Negrete”, 2005.
“Storage Enclosures for Photographic Materials.” NEDCC Preservation Leaflets. Consultado el 27 de enero de 2026. https://www.nedcc.org/assets/media/documents/Preservation%20Leaflets/5_5_photostorage_2018.pdf
Voellinger, Theresa A., Sarah S. Wagner y Constance McCabe. “Cold Storage for Photograph Collections – An Overview.” NPS Conserve O Gram 14/10, August 2009. Consultado el 5 de febrero de 2026. https://www.nps.gov/subjects/museums/upload/14-10_508.pdf
———. “Cold Storage for Photograph Collections – Using Individual Freezer Units.” NPS Conserve O Gram 14/11, August 2009. Consultado el 5 de febrero de 2026. https://www.nps.gov/subjects/museums/upload/14-11_508.pdf
———. “Cold Storage for Photograph Collections – Vapor-Proof Packaging.” NPS Conserve O Gram 14/12, August 2009. Consultado el 5 de febrero de 2026. https://www.nps.gov/subjects/museums/upload/14-12_508.pdf
Microorganismos: identificación y atención
Hoyos Velasco, Susana Aurora. “Evaluación de dos productos biocidas en impresiones fotográficas de plata gelatina en soporte de papel de fibra.” Tesis de Licenciatura, Escuela Nacional de Conservación, Restauración y Museografía “Manuel Del Castillo Negrete”, 2018.
Gestión y manejo de colecciones
Boadas i Raset, Joan, Lluís-Esteve Casellas, y M. Angels Suquet i Fontana. Manual para la gestión de fondos y colecciones fotográficas. Biblioteca de la imagen 3. CCG Ediciones, Centre de Recerca i Difusió de la Imatge (CRDI), Ajuntament de Girona, 2001.
Howard Besser, Sally Hubbard, y Deborah Lenert. Introduction to imaging, revised edition. Getty Research Institute, 2003.
“Informe Final Proyecto ADAI: Digitalización del Archivo Fotográfico de Aurelio Escobar Castellanos”. Dirección de Tecnologías de la Información, Archivo General de la Nación, 2012. https://www.iberarchivos.org/wp-content/uploads/2014/12/2010-155.pdf. Consultado el 3 de agosto de 2025.
Murtha Baca, ed. Introducción a los metadatos: vías a la información digital. Traducido por Marisol Jacas-Santoll. J. Paul Getty Trust, 1999.
The Technical Guidelines for Digitizing Cultural Heritage Materials: Third Edition. Federal Agencies Digital Guidelines Initiative, 2023. https://www.digitizationguidelines.gov/guidelines/FADGITechnicalGuidelinesforDigitizingCulturalHeritageMaterials_ThirdEdition_05092023.pdf. Consultado el 18 de julio de 2025.