Referencias sobre procesos fotográficos e identificación

• Weaver, Gawain. 2024. Process ID Chart: Digital Prints https://gawainweaver.com/images/uploads/ProcessID_Digital_2024v1.pdf

• Bernier, B. 2009. Polaroid vectographs. Topics in Photographic Preservation, vol 13. American Institute for Conservation Photographic Materials Group. Washington, D.C.: AIC. 86-99.

• Canosa, E., G. W. L. Hodgins, and G. Weaver. 2013. Carbon isotope analysis of waxed paper negatives. Topics in Photographic Preservation, vol. 15. American Institute for Conservation Photographic Materials Group. Washington, D.C.: AIC. 891-906.

• Cased photographs. 2014. Photographic Materials Group Conservation Catalogue Wiki. American Institute for Conservation. www.conservation-wiki.com/wiki/PMG_Cased_Photographs.

• Daffner, L. and P. Messier. 2009. New applications for paper fiber analysis in characterizing gelatin silver prints. Topics in Photographic Preservation, vol. 13. American Institute for Conservation Photographic Materials Group. Washington, D.C.: AIC. 83-5.

• Digital prints. 2014. Photographic Materials Group Conservation Catalogue Wiki. American Institute for Conservation. www.conservation-wiki.com/wiki/PMG_Digital_Prints.

• Duncan, L. and J. Keister. 2008. In pursuit of reality: a technical study of two obscure photographic processes of the 19th century. ANAGPIC 2008 student papers. New York: Conservation Center, Institute of Fine Arts, New York University. http://cool.conservation-us.org/anagpic/2008pdf/2008ANAGPIC_Duncan.pdf.

• Dune, C., L. Grinde, and R. Wiegandt. 2005. Characterization of black-and-white silver gelatin fiber-based photographic prints. Topics in Photographic Preservation. vol. 11. American Institute for Conservation Photographic Materials Group. Washington, D.C.: AIC. 38-56.

• Glaser, G. 2013. Technical investigation of a 20th century hand-colored opaltype. Topics in Photographic Preservation, vol. 15. American Institute for Conservation Photographic Materials Group. Washington, D.C.: AIC. 747-810.

• Gold, J. 2005. Investigation of methods used to misrepresent the conditions and the age of photographs. Topics in Photographic Preservation, vol. 11. American Institute for Conservation Photographic Materials Group. Washington, D.C.: AIC. 111-22.

• Jürgens, M. C. 2009. The digital print: identification and preservation. Los Angeles: Getty Conservation Institute.

• Kennedy, N. W. 1999. The reticulation of gelatine: observations on the direct carbon process. Care of Photographic Moving Image & Sound Collections. Lehigh, Worcestershire, U.K.: The Institute of Paper Conservation. 102-8.

• Lavédrine, B., J. P. Gandolfo, and S. Monod. 2003. A guide to preventive conservation of photograph collections. Los Angeles: Getty Conservation Institute.

• Lavédrine, B., J. P. Gandolfo, J. McElhone, and S. Monod. 2009. Photographs of the past: process and preservation. Los Angeles: Getty Conservation Institute.

• McCabe, C. 2005. Coatings on photographs: materials, techniques, and conservation. Washington, D.C.: American Institute for Conservation.

• Pénichon, S. 2013. Twentieth-century color photographs: identification and care. Los Angeles: Getty Conservation Institute.

• Photographic processes. 2014. Photographic Materials Group Conservation Catalogue Wiki. American Institute for Conservation. www.conservation-wiki.com/wiki/PMG_Photographic_Processes.

• Polaroid. 1972. Film identification and manufacturing information. http://gawainweaver.com/images/uploads/file/Polaroid_ID.pdf.

• Polaroid. 1998. Polaroid film codes. Bedford, MA: Americas Business Center. [PDF available: http://tityrus.free.fr/polaroid/integral/Polaroid-FilmCode.pdf]

• Ravines, P., R. Wiegandt, R. Hailstone, and G. Romer. 2008. Optical and surface metrology applied to daguerreotypes. In Conservation science 2007: papers from the conference held in Milan, Italy, 10-11 May 2007. ed. J. H. Townsend et al. London: Archetype Publications Ltd.: 131-39.

• Ravines, P., R. Wiegandt, and C. M. Wichern. 2008. Surface characterisation of daguerreotypes with the optical metrological technique of confocal microscopy. Surface engineering 24(2): 138-46.

• Ravines, P., L. H. Chan, M. Nowell, and R. McElroy. 2013. Using electron back scattered diffraction (EBSD) & energy dispersive spectrometry (EDS) to characterize the surface of 19th century and modern daguerreotypes. Topics in Photographic Preservation vol. 15. American Institute for Conservation Photographic Materials Group. Washington, D.C.: AIC. 544-51.

• Reilly, J. 1986. The care and identification of 19th century photographs. Rochester, NY: Eastman Kodak Company.

• Reilly, J. 1981. The albumen and salted paper book: The history and practice of photographic printing, 1840-1895. Rochester, NY: Light Impressions Corp.

• Rogge, C. E. and K. Lough. 2013. Fluorescence fails: the color of the UVA-induced visible fluorescence of tintype varnishes does not discriminate between varnish materials. Topics in Photographic Preservation, vol. 15. American Institute for Conservation Photographic Materials Group. Washington, D.C.: AIC. 811-45.

• Rogge, C. E. and A. Bezur. 2012. An investigation into the creation, stability, and x-ray fluorescence analysis of early photographic processes: an upper-level undergraduate laboratory. Journal of Chemical Education. 89(3): 397-400.

• Stenman, R. 2011. Initial investigation into orotone photographs. Topics in Photographic Preservation, vol 14. American Institute for Conservation Photographic Materials Group. Washington, D.C.: AIC. 263-81

• Stulik, D. and A. Kaplan. 2013. The Atlas of Analytical Signatures of Photographic Processes. Los Angeles, CA: Getty Conservation Institute. http://hdl.handle.net/10020/gci_pubs/atlas_analytical.

• Stulik, D. and A. Kaplan. 2008. A new scientific methodology for provenancing and authentication of 20th century photographs: nondestructive approach. Proceedings of the 9th International Conference "Art 2008," Jerusalem 25-30.5.2008: non-destructive investigations and microanalysis for the diagnostics and conservation of cultural and environmental heritage. ed. A. Notea. Jerusalem, Israel: Israel National Commission for UNESCO. 1-11.

• Stulik, D. and A. Kaplan. 2013. Pushing the limits of the identification of photographs: variants of the gum dichromate process. Topics in Photographic Preservation, vol. 15. American Institute for Conservation Photographic Materials Group. Washington, D.C.: AIC. 655-708.

• Vila, A., A. Gruber, S. A. Centeno, L. Barro, and N. W. Kennedy. 2013. Pigment-based photographic processes: a technical study of Pictorialist works in the Metropolitan Museum’s collection. Topics in Photographic Preservation, vol. 15. American Institute for Conservation Photographic Materials Group. Washington, D.C.: AIC. 709-13

• Weaver, G. and Z. Long. 2009. Chromogenic characterization: a study of Kodak color prints, 1942-2008. Topics in Photographic Preservation, vol. 13. American Institute for Conservation Photographic Materials Group. Washington, D.C.: AIC. 67-82.

• Weaver, G. 2013. Process ID chart: 19th century photographic prints. http://gawainweaver.com/images/uploads/Process ID Chart_19th Century Photo.pdf.

• Weaver, G. 2014. Photographic process controlled vocabulary. http://gawainweaver.com/images/uploads/Photographic Process Controlled Vocabulary_v1.pdf.

• Wessling, M. 2013. Characterizing United Press International’s Unifax facsimile prints. Topics in Photographic Preservation, vol. 15. American Institute for Conservation Photographic Materials Group. Washington, D.C.: AIC. 621-54.

• Yates, K., S. Ishikawa, and M. Newnham. 2013. Crystalline deterioration on glass cinema slides. Topics in Photographic Preservation, vol. 15. American Institute for Conservation Photographic Materials Group. Washington, D.C.: AIC. 714-46.